Every writer has a factory setting. Some of us outline for three months and call it “research.” Some of us open a blank page at midnight, write twelve magnificent pages, and never speak of them again. Neither is wrong. Both are extremely fixable.
This puts you on two axes — how you generate (gut instinct or blueprint) and what pulls you (people or premise) — then tells you which of four writer types you actually are. Not the one you describe at parties.
There are no bad types. Every one of them has produced working, award-winning writers — and every one of them gets stuck in its own painfully predictable way. Answer for the writer you are on a Tuesday afternoon, not the one you'd describe in an interview.
We'll send your full profile plus the one exercise that helps your type most this week. No spam — we're writers, we know exactly how precious an unread inbox is.
Four weeks of live mentorship that turns your idea into a professional screenplay treatment — your work personally reviewed at every stage, and the process bent around the way you actually write instead of the way you keep meaning to.
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